“Art and Life: Good Work” is the adaptation of Deborah Hay’s solo “Art and Life”, inserted in the Solo Commissioning Performance Project of said choreographer. Stimulated by the challenge of receiving a choreography by Hay to adapt it, I maintain the questions bringing

them close to my body at the same time that I lay my own views upon them. Deborah, a highly renown figure in the dance world, belongs to the generation of the Judson Church of New York, vital for the birth of postmodernism in movement, which brought questions about perception

and the body that are fascinating. “Art and Life: Good Work” is the result of this curious choreographic relationship, not always easy or evident due to the triple placement

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